Posted by scrapbook on July 6, 2010 under Flowers | 
Tim Holtz grunge is all new and has never looked better! Arn’t these flower so cute. These are actually pins that Heather and Ashley made at the last CHA. Ashley keeps hers on her purse and it looks so cute! It adds a little personality to any outfit or scrapbook page. I love the way, you can create any color scheme with the grunge, and truly makes it your project. I also love how versatile the end product can be. It can complete an outfit, or add a personal touch to your latest scrapbook page. Overall the flowers always end up gorgeous! You cant ever go wrong with a Tim Holtz Flower!
Enjoy readers!
Supplies:
Ranger:
~Craft Sheet
~Distress Inks
~Distress Stickles
~Ink Blending Tool
~Glossy Accents
~CH Studio Multi-medium
~Heat tool
Tim Holtz idea-ology:
~Grungepaper
~Type Charms
Tim Holtz Alterations:
~Tattered Floral Die
Vintaj:
~charm
~jump rings
Misc:
~Ephemera
~Cork Mat
~push pin
Directions:
Steps For Multi-medium collage grunge:
1. Apply a thin layer of multi-medium over grungepaper
2. press papers to grunge and burnish with your fingers and allow this to dry.
3. die cut the grungepaper using the tattered floral alterations die.
Steps for distressing grunge:
1. tap the ink blending tool on to the distress pad.
2. rub the tool on to the grungepaper flowers.
3. change blending tools when changing color palettes and continue inking the grungepaper flowers until your desired look is achieved.
4. ink all the flowers following previous steps.
5. turn the grungepaper daisy flower over and ink the back with using distress and ink blending tool.
6. apply a dab of rock candy distress stickles to your finger and lightly dab on parts of the grungepaper flowers
7. dry the distress stickles with a heat tool.
Steps for putting it together:
1curl the petals of the largest flower under by rolling each petal with your fingers toward the bottom center of the flower.
2. curl the petals of the daisy flower up following the same steps.
3. curl the petals of the smallest flower up following the same steps.
4.adhere all 3 flowers together from smallest to largest with a dot of glossy accents.
5.place flower on a cork mat and pierce a hole through the center with a push pin.
6.insert a clutch pin through the hole.
7. assemble type charm with letter of choice and epoxy with charm on the bottom.
8. adhere type charm to clutch pin with glue dot.
Tags: collage, Distress, distressful, easy, flower, fun, grunge, grungeflower, Holtz, Idea, Ink, multi-medium, Ranger, Tim, vintaj
Posted by scrapbook on April 17, 2010 under Tools |
Hello Bloggers!!
I feel like its been ages since i updated, and i am so sorry! We had some technical problems and were not able to access the blog for a while. But we’re back!! The last few months are best selling item has been Tattered Angels Glimmer Mist!! I have to say it is one of my all time favorite tools, and have not been surprised at how well this has been selling. At CHA , Heather was given the opportunity to become “Certified” in the art of glimmer mist! Today I am going to share EVERY tip, trick and technique you could possibly want! (P.S. Click on the picture to see a full size version)
Enjoy!!
Technique #1: Controlled Spraying:
Tip#1:
Spray your glimmer mist by only pushing half way so as to allow the glimmer mist to project in small quantities, creating a droplet effect. You can also achieve this by using your other hand to guide the sprayer gently down a little slower than a regular spray.
Tip #2:
Start by gathering your favorite Glimmer mist colors. Spray your mist at a close range so as to allow the glimmer mist to fully spray in a concentrated portion on to your page. By using mnay colors, multiple times you can achieve a beautiful background for your latest scrapbook page. The farther aways your sprayer is to the page, the finer the mist will be.
Tip #3:
Apply your glimmer mist in a fine mist to prevent large spots or dots of glimmer mist. To achieve this, you will place your project on a mat. Start your spray of glimmer mist on the mat, so that the beginning of your spray falls onto the mat instead of your project. You will then proceed to allow the tail end of of your spray falls onto your project in a fine application. You can continue to repeat this to build up a solid background that will be evenly distributed and without large droplets. Because of the nature of using a sprayer applicator, the force of the beginning of the spray gathers larger amount of glimmer mist in droplet portions and forces it out in the initial part of your spray. Allowing this part of your spray to fall onto your misting mat as opposed to your project allows you to use the tail end of the spray (the finer mist) to your benefit.
Tip #4;
Using one color of glimmer mist, apply a heavy application to your project, this will completely and evenly add glimmer mist to your project.
Technique #2: Color Patterns:
Tip#5:
Use the same technique seen in tip #3, but use a variety of colors to customize the background. This will give you a soft background you can use for any occasion.
Tip #6
Use a variety of colors, and apply them at a close range quickly adding color to color. After you page is full of mist, it will appear like a pool of mist on your page. From here take a paper towel and lay it completely over your page and from the inside towards the outer edges; you will press your paper towel down, so to absorb any excess moisture. After the excess is gone, you will notice that the page will have the effect of a water colored background, where all of the colors are blended together to create a soft beautiful finish.
Tip #7:
Gather three glimmer mist colors. Preferably a light, medium and dark color. Stating with the lightest color on top, medium color in the middle and the darkest color on the bottom, layer the colors evenly across the page. Now blend the colors together by taking a paper towel. Starting at the lightest color, pull your paper towel down towards the darkest color. If you need to repeat this to continue to blend the colors, use a clean part of your paper towel, so to not contaminate your lighter colors with your darker ones. This will give you a blended effect that will smoothly add glimmer to any project.
Tip#8:
For this technique you will use a piece of stiff lace as a mask to create a faux lace page. You will start by laying a stiff piece of lace and lay it down on your page. You will want to make sure that your page and your lace are perfectly flat. To apply the glimmer mist use tip #3, to create a fine mist over your project. Make sure that your sprayer is about 8 inches away from your project to create your fine mist. Make sure to not over saturate, so you can create the crispest image. What is nice about using the lace and this technique, is that you are creating a beautiful faux lace page, but you also come away with a new colored lace that can be used on future projects.
Technique #3: Textures:
Tip #9: 
For this technique, use a sponge to create a faux finished background. To achieve this you can use a natural sponge by applying glimmer mist directly to the sponge and then using the sponge as an applicator to your project. Depending on how saturated your sponge is with glimmer mist, your project can achieve multiple different types of effects. You can also layer colors together to create a faux stone, leather or worn look. Experiment with this technique to find a multitude of options.
Tip#10:
Use a variety of different styles of paint brushes to create different finishes. Since glimmer mist is essentially a water color, you can spray it into a paint tray of irectly onto your misting mat and use your choice of paint brush to create different effects. One of our favorites is to use a fan brush to dry brush glimmer mist directly onto projects. To dry brush means to start with a dry brush, and lightly add glimmer mist to the brush and then onto your project.
Tip#11:
For this technique, you will use white acrylic paint as a resist agent to customize your background. Since most acrylic paints offer a slick surface after they have dried, this allows glimmer mist that has been misted over the pain to “resist” or not adhere to the paint, creating a two toned effect on your project.
Tip#12:
Use any excess glimmer mist that has been sprayed onto your misting mat. Even if the colors have mixed together, you can use this glimmer mist to distress the edges of your project. To do this, take your project and drag the edges through the excess glimmer mist as to saturate the edges/ You can now take scissors or your finger ail and distress the edges. Because the glimmer mist is wet, this allows a much easier way to distress the edges. You can also apply other sprayed colors of glimmer mist to the edges by taking a paper towel, or baby wipe and pick up this excess glimmer mist and swipe it, blend it or layer it along the edges of your project for a vignette or additional distressing.
Technique #4: Glimmer Screens- Negative
Tip #13:
For this technique you will use your Tattered Angels Glimmer Screens with the Glimmer Mist to create a masked image. Start by laying down your screen on a flat surface so that it lays close and flat to your project. From here, create the fine mist technique forom tip #3, and apply a fine mist to the page. Use a pair of tweezers (we carry a pair of bazzill tweezers that would work great) to hold down the screen for additional support during the spray. Also make sure to hold your sprayer 8 inches away from your screen to create an even coat over the page. With your tweezers, pick up your screen (you can use your hand to support the screen while your tweezers pick up the screen) to reveal a crisp negative image. By negative image, it is meant that the area around the image is misted, and the image itself is vacant of color, or negative.
Tip #14:
For this technique you will be repeating the t3echniquefeatured in tip #13 by using Tattered Angels Glimmer screens with Glimmer mist. This time you prepare your page with a light color of mist, and then creating the negative effect from tip #13. What this will allow you, is that you can now customize your project ith two or more colors of Glimmer Mist, the first being the first color you misted onto your page and the sceond and so on being the colors that you mist over the top of your screen with. this again will create a negative image of your screen, yet offer a variety of more colors.
Tip #15:
For this technique you will be repeating the same technique from #13. This technique will create the negative image of the glimmer screen that you are using. the Glimmer Screen offers a base that yu can nw add a detailed image in with yur thin mount stamps. These stamps are created to compliment the coordinating glimmer screen to create a “screen-print” image. The stamps also come equipped with reinforced packageing that acts as a “thin-mount” to support your stamp as you use it. This solves the need for a stamp block and creates a self inclusive stamp set.
Technique #5: Glimmer Screen Postive Image
Tip #16:
For this technique you will be using glimmer screen to create a positive image. To do this, you will start by placing your glimmer wscreen off of your project and onto a splat mat or paper towel. You will layer a medium mist onto your screen as to give it a nice even coat. From there you will take your screen, flip it over (quickly, so that the mist doesnt fun to one corner) so that the glimmer mist side is facing down. Make sure to do this off of your project as to allow any excess Glimmer Mist to fall onto the mat and not your project. Now place your glimmer screen onto your project. With a pair of tweezers, press down on the screen. This will transfer the glimmer mist from the screen to your project. Because the tweezers have a fine tip, it is easy to press into delicate areas of the glimmer screen to transfer your glimmer mist.
Tip #17:
For this technique, start by applying a fine layer of glimmer mist in a light color to your page. Allow this to dry. From here repeat the technique in tip #16, with a darker color of glimmer mist. This will offer you a multi-colo9red image for your prject. If you decide to not wait as your first layer of glimmer mist dreis, your image will be distorted on the edges giving it a soft almost flocked look.
Tip #18: 
Start with the technique featured in tip #16. From here, stamp over the image, with the coordinating stamp. If you are not sure which way to coordinate your stamp with the same direction of your screen you can easily stamp your image first with a water safe ink (such as Staz-On) and then proceed to use your screen on top of this image. This will help you understand the direction in which your screen should be positioned. This image will not only give you a detailed image, but will also highlight, or shadow the image depending on what color of glimmer mist is used.
Tip #19:
This technique will produce a “reverse transfer” technique. To achieve this, start by laying your Glimmer screen onto a splat mat. Spray a variety of colors onto the top of the screen. You will want to cover enough surface that will match the size of your project. After you have done this, take your page and lay it onto the screen and mist so that the entire page will lie onto the glimmer mist. Press down on your page right on top of the glimmer screen and hold it down as your press donw and out from the middle towards the edges. You will want to make sure that you press down on the entire page, while not moving the Glimmer Screen. From here, pick up your page and admired the image that has a “haloed” look.
Technique #6: Top Coats
Tip#20:
For this feature, you will be using one of the Tattered Angels clear coats to add a fine mist of glitter to your page. A clear coat Glimmer Mist has little to no dye base and will just add a glimmer to your project. You can select your clear coat by looking at the bottel, if when the glimmer is settled to the bottom your bottle becomes translucent, this would be an ideal top coat. If your bottle is clear, this would be a true clear coat and will not alter the colors in your project, yet will add a nice glimmer to it. If you find that there is a slight tint to your bottle thse colors can be used lightly to achieve a light glimer ginish or be built up layer, after layer to achieve a light tinting to your project yet still add an immense glimmer.
Tip #21:
By layering the clear coat one color on top of the other, you can create an immense glimmer to any project. Again with a true clear coat, this willnot alter the color of your project but will add a glimmer. A clear coat with a slight tint will add the same glimmer, but will continue to add a tinit of color to your project as you build up the layers of glimmer mist.
Tip #22:
For this technique you will use 2 colors of Glimmer Mist, one as a blender. For this page, use a lighter color of glimmer mist on ther top third of your page and a darker color of glimmer mist on the botom third. Taking your clear coat, now saturate the middle third so as to bring the top color and the bottom color together so that they can blend in the middle. To blend further take a clean paper towel and lay it over the top of the page. Gently press down to pick up any excess moisture and allow the colors to be pressed together.
Technique #7: Surfaces
Tip #23:
For this technique you will be using the glimmer mist on black cardstock. When using balck cardstock you can use any color of Glimmer Mist and the dyre base in the glimmer mist will be counteracted with the black allowing just the beautiful glimmer in the glimmer mist to be magnified. If you use the brand new “Chalkboard” Glimmer Mist on balck you will get some of the dye color that will lie on the black creating a semi-opaque finsih. This will still now offer a bit color on your balck.
Tip #24:
For this technique you will use glimmer mist to customize balck and white paper to your needs. Use any color of glimmer mist and transform your black and white printed paper to be customized to any project or color scheme.
Tip #25:
For this technique you willuse glimmer mist to alter the color of your pattern paper and manipulate it to your needs. With teh original glimmer Mist, you will find that you can take a printed pattern paper and transform the background to your color needs without altering the basic print of the paper. This is great for out dated paper that needs a new breathe of life.
Tip #26:
Use Glimmer Mist to begin altering embellishments to be customized to your needs. Takeing raw lace and white flowers, you can Glimmer Mist to customize the colors to the needs of your projects.
Tags: Angels, Distress, easy, flower, Glimmer, Glimmer Mist, Idea, layout, memories, Mist, new, page, Scrapbook, Scrapbooking, Simple, Tattered, Techniques, tip, Tips
Posted by scrapbook on November 6, 2009 under Card, Embellishments, Idea, Kits and Collections |
Today i thought it might be nice to have another card idea! Here we we have not only a card but also some cute embellishing flowers. These flowers could also be cute as a centerpiece as well. Something that is also not brand new products, but you can easily transfer with any line from any company. The best thing about these instructions is that they don’t only have to go with the line its intended for. That’s one of the best things about scrapbooking. The Experimenting will all get to do. Try this idea with a new line and add your own little twist.
ENJOY! Kaitlyn
supplies:
12×12 Wisteria: Pond, Fountain, Finch, Greenhouse, Jardin, Stone Wall, Sundial, Cornflower
Wisteria Bitsy Pom stamp
Wisteria buttons
Opaline Platinum half pearls
BasicGrey Magnetic Tacks (refill)
BasicGrey Rub-On Roller
light blue and yellow cardstock
bulldog clips
florist wire (12″ lengths)
florist tape
metal lid
self-adhesive pearls
Nestabilities:
• classic scallop circles (large)
• petitie scallop circles (large)
Cuttlebug dies:
• combo friends forever
• butterfly combo
• tag alongs
Instructions:
yellow flower/
1 Cut two same-sized scalloped circles out of Finch using the largest die of the Classic Scallop Nestabilities set.
2 Take one of them and cut every single scallop up to about an 1″ from the center (only one of those cuts goes to the very center).
3 Using scissors, shape the petals the same way as you would curl wrapping ribbon (curl some under and some over). Wrap the flower around the wire and secure it with glue (hot glue gun works well).
4 Take the second scallop circle and score every single scallop, and then cut every other scallop. Fold the scored lines to give it a bit more shape.
5 Make a hole in the center and put it through the florist wire. As you’re assembling, look at the flower’s overall shape.
6 Stretch and snip the florist’s tape first and then wrap it tightly around the flower base to secure. Wrap it all the way down the stem with the tape.
green flower/
1 Cut two scalloped circles out of Greenhouse using the different sized dies of the Classic Scallop Nestabilities set.
2 Cut every single scallop of both of those flowers up to about an half an inch from the center (only one of those cuts goes to the very center).
3 Take the smallest circle and cut the first four scallops into a very thin strips but keep the center uncut so it is easy to keep everything together.
4 Roll the center of the flower to give shape to it. Wrap the flower around the wire and secure it with glue (hot glue gun works well).
5 Take the larger circle and wrap it around twice the bottom of the first one and adjust it so it looks nice.
6 Follow the previous instructions to attach the florists tape.
blue flower/
1 To make the blue flower, follow the instructions for the green flower, but use two dies that are very different in size (for example the largest one and the second smallest one).
light blue flat flower/
1 Cut two same sized scalloped circles out of Fountain using a medium sized die of the Classic Scallop Nestabilities set.
2 Take both of them and score every single scallop, then cut every other scallop so the petals form a heart shape. Then fold on the scored lines to give it a bit more shape.
3 Attach both circles on top of each other, shifting one slightly so the petals do not match and the bottom ones are semi-visible from the top.
4 Stamp the Pom Bitsy image with brown ink on top of extra bit of the Fountain paper and cut a circle out of it (punch or use a circle die).
5 Shape the stamped circle into a dome by using a foam mat and running the Rub-on Roller round the edges. Attach to the center of the flower using foam pads.
light green flat flower/
1 Follow the same instructions as the light blue flower, but use smaller dies and Greenhouse paper. Attach a light green Wisteria button to the center of the flower when finished and attach to the front of a bulldog clip.
lid/
1 Cover the metal lid using Jardin paper.
2 Cover the bulldog clips using Stone Wall paper. Close the wires of the flowers in the clip to hold them upright in place as shown.
3 Use the magnetic tack refills to maintain the clips in place on top of the lid and add elevation to the pieces.
card/
1 Trim the yellow cardstock to 9″x5½” and fold in half to create a 4½”x5½” card.
2 Emboss a 4″x5″ piece of light blue cardstock using a die cutting machine and the flowers from the Cuttlebug Friends set. Sand the top of the embossing to reveal the core color underneath.
3 Cut two butterflies out of Cornflower paper and glue them together by applying glue only in the body center. Add white Opaline half pearls to the body of the butterfly.
4 Cut the oval tag using Sundial paper and stamp a message on top. Attach to the front, right side of the card. Attach the assembled butterfly above and to the right of the tag.
5 Slide card in between the bulldog clips as shown.
6 Assemble all pieces onto the covered lid as shown.
Tags: basic grey, Basicgrey, Bazzill, brad, butterfly, Card, card making, flower, Idea, line, Scrapbook, Scrapbooking, tip, Tips, wistera
